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Thursday, February 12, 2009

An article in the February 12 issue of the New England Journal of Medicine reports on an unusual cause for an outbreak of low blood sugar among men in Singapore: illegal use of sexual performance enhancement drugs that were contaminated with a diabetes drug.

Between January and May 2008, 149 men and one woman between 19 and 97 (mean age 51) were admitted to five public hospitals for unexplained low blood sugar. Similar cases were reported in media reports from Hong Kong. Seven Singaporean patients remained in a coma because of prolonged sugar starvation of the brain, and four subsequently died. The diabetes drug glyburide was found in blood and/or urine samples in 85% of cases; 30% admitted having used illegal sexual performance enhancers.

The contaminated products were a counterfeit version of the drug Cialis (meant for the treatment of genuine erectile dysfunction), and three purported herbal preparation (the affected brands included Power 1 Walnut and Santi Bovine Penis Erecting Capsule). All four preparations additionally contained Viagra in varying concentrations. Two herbal products contained traces of the weight loss drug sibutramine, a compound related to amphetamines.

The drug packaging mentioned names of non-existent overseas production facilities, so the source of the contamination with the diabetes drug could not be established.

The authors underline the risks that is known to be associated with purchasing drugs from unreliable providers or from online resellers. The clandestine use of impotence drugs as sexual performance enhancers seems to have provided a good illustration of this problem. They further call for more efforts by national and international health and law enforcement agencies to curb the manufacturing, international transport and sales of untrustworthy medication.

Friday, January 19, 2007

In the United States, a stabbing at the Lincoln-Sudbury Regional High School in Sudbury, Massachusetts has left a 15-year old student dead.

The stabbing happened around 7:20 am EST, before classes had started. A fight broke out in a boys’ bathroom between the 15-year old victim, James Alenson and 16-year-old suspect John Odgren, the fight spilled out in the hallway, where the stabbing occurred.

The school was sent into a “lockdown” and students were ushered into the gym, cafeteria and various classrooms. Alenson was rushed to Emerson Hospital where he was pronounced dead at 8:15 am EST. Odgren admitted to the stabbing and was in the principal’s office saying “I did it, I did it,” to police. However, Odgren also reportedly said “Is he OK? I don’t want him to die,” according to a police report.All students were released at 10:20 am EST.

Odgren was diagnosed with severe Asperger’s syndrome, an autistic spectrum disorder has been on medication for years, was a special education student at the school and had no history of violence according to his lawyer, Jonathan Shapiro. He is being charged with “murder, assault and battery with a dangerous weapon, and carrying a knife onto school property” and was arraigned in Framingham District Court where he pleaded not guilty to the charges.

Shapiro also asked if his client could go to secure facility at Children’s Hospital in Boston. Judge Paul Healy denied the request saying he did not have “enough assurance that Children’s Hospital would be secure.” Instead, he will be held at Middlesex Jail in Cambridge outside of the general population.

According to the school’s website, there will be a community meeting tonight in the school’s auditorium at 7pm EST.

Saturday, July 2, 2005

Massive music concerts took place around the planet under the Live 8 banner in an effort to put pressure on the leaders of the eight richest countries in the world to end global poverty.

All concerts were timed to take place between noon and 10pm local time, with over a million people expected to attend concerts in Britain, France, Germany, Italy, Japan, the US, Canada, South Africa and Russia. The events were broadcast to a potential audience of five and a half billion people world-wide.

The largest concert was in the US in Philadelphia where, over the course of 7 hours, hundreds of thousands of people gathered to watch Stevie Wonder, Kanye West, Destiny’s Child, Dave Matthews Band, and Black Eyed Peas among others. Philadelphia native Will Smith both performed and was the opening presenter. Peak attendance, the maximum amount of people believed to be watching Live 8 on the Benjamin Franklin Parkway at a given time, is estimated to have been between 600,000 and 800,000.

In Hyde Park in London, 205,000 people watched acts including Elton John, Madonna, Coldplay, Robbie Williams and Pink Floyd. The concert was opened by Sir Paul McCartney and U2 playing Sgt. Pepper’s Lonely Hearts Club Band – the first time the song has ever been performed live by a Beatle. It ended at 11.58pm with all of the acts coming on stage to sing one last time.

Bill Gates – founder of Microsoft and the richest man in the world (owning $46.5 billion) – appeared on the London stage to discuss the challenges facing the world, before introducing Dido. Later, Kofi Annan, the Secretary-General of the UN addressed the audience, thanking them for their support.

However, the first concert to open – in Japan – only drew 10,000 spectators, disappointing many.

The concerts follow on 20 years after the Live Aid concert organised by Bob Geldof, which was created to raise money for famine victims in Ethopia.

By contrast, the aim of Live 8 – also organised by Geldof – is not fund-raising but instead to apply pressure to the leaders of the G8 to end world poverty, which claims the lives of 50,000 every day.

The Live 8 organisers are urging the G8 to:

1. Double the aid sent to the world’s poorest countries,
2. Fully cancel their debts,
3. Change the trade laws so that they can build their own future.

The Finance Ministers of the G8 agreed a plan last month to cancel the debt of 18 of the poorest countries to the IMF, the World Bank and the African Development Fund, but are requiring other countries to end political and financial corruption before they become elegible for debt relief.

On Thursday the President of the United States, George W. Bush, announced that the US will double US aid to Africa by 2010 – increasing to $8.6 billion a year. Bob Geldof welcomed the news, saying “This is the first time we have heard this sort of language.

“This is very, very positive indeed.”

Friday, February 3, 2006

Computer security experts warn that a malicious computer worm, dubbed “Kama Sutra,” is set to wreak havoc this Friday, February 3rd on Microsoft Windows computers worldwide. Kama Sutra is designed to destroy files that end in .doc, .zip and .pdf.

The Kama Sutra worm has been spreading through cyberspace since January 16, packaged in emails with subject headings such as: “give me a kiss” and “crazy illegal sex.”

When users click an email attachment, their PCs become infected with destructive, self-replicating software. The worm affects Microsoft Windows operating systems and is programmed to go to work on the third of every month, overwriting or corrupting Microsoft files and others such as Portable Document Format (PDF) files.

“This one can damage your office files, your Microsoft Excel spreadsheets and your PowerPoint presentations,” Tino Klironomos, a computer retailer, said. “(The files will be) all gone, history.”

Computer security company LURHQ reports that there may be hundreds of thousands of machines already infected with the worm, which also goes by the monikers “BlackWorm,” “CME-24,” “Blackmal,” “Mywife.E” and “Nyxem.”

To prevent the worm, Windows users should arm themselves with anti-virus software. People can also protect their PC with up-to-date anti-virus gear and firewall protection. Free anti-virus tools are available from many anti-virus organisations. These tools can detect and remove the Kama Sutra worm from an infected machine.

Experts say: “Make sure your virus definitions are up to date. Besides being careful about opening email messages and attachments, users should back up their most valuable computer files on an external device such as a CD, zip drive or DVD.”

Steve Bass at PC World says: “Stop worrying. If you update your virus program signatures regularly, and do a weekly AV scan, I don’t think you have much to worry about…”

Other advice is not to open any messages with the subject headers “crazy, illegal sex”, “give me a kiss” and “hot movie.”

The worm will not affect machines running on non-Windows operating systems such as Mac OS X or GNU/Linux.

Many security systems reported a very small amount of vandalism, even though the threats were very high.

Thursday, March 31, 2016

Businessman Rocky De La Fuente took some time to speak with Wikinews about his campaign for the U.S. Democratic Party’s 2016 presidential nomination.

The 61-year-old De La Fuente resides in San Diego, California, grew up in Tijuana, and owns multiple businesses and properties throughout the world. Since getting his start in the automobile industry, De La Fuente has branched out into the banking and real estate markets. Despite not having held or sought political office previously, he has been involved in politics, serving as the first-ever Hispanic superdelegate to the 1992 Democratic National Convention.

De La Fuente entered the 2016 presidential race last October largely due to his dissatisfaction with Republican front-runner Donald Trump. He argues he is a more accomplished businessman than Trump, and attacks Trump as “a clown,” “a joke,” “dangerous,” and “in the same category as Hitler.” Nevertheless, De La Fuente’s business background begets comparisons with Trump. The Alaskan Midnight Sun blog described him as the Democrats’ “own Donald Trump.”

While receiving only minimal media coverage, he has campaigned actively, and according to the latest Federal Election Commission filing, loaned almost US$ 4 million of his own money to the campaign. He has qualified for 48 primary and caucus ballots, but has not yet obtained any delegates to the 2016 Democratic National Convention. Thus far, according to the count at The Green Papers, De La Fuente has received 35,406 votes, or 0.23% of the total votes cast. He leads among the many lesser-known candidates but trails both Senator Bernie Sanders who has received nearly 6.5 million votes and front-runner Hillary Clinton who has just shy of 9 million votes.

With Wikinews reporter William S. Saturn?, De La Fuente discusses his personal background, his positions on political issues, his current campaign for president, and his political future.

Sunday, May 21, 2006

Three days after the Internet release of the free content 3D short Elephants Dream (see Wikinews coverage), we exchanged e-mails with Ton Roosendaal about the reaction to the film, open source filmmaking, and the changes to Blender that resulted from the production. Ton Roosendaal is the lead developer of the Blender 3D rendering and modelling software that was used for the movie. He is also the chairman of the Blender Foundation, a non-profit organization which was formed in support of the software and projects like Elephants Dream.

How much money did the Blender Foundation spend on producing the movie? Has the money been fully recouped by DVD orders and donations?

We still have to finish the final bookkeeping for this project. It has been executed in co-production with the Netherlands Media Art Institute, and we each had our own internal budgeting for the project. When you exclude expenses of pre-production and producer personnel, the total budget was about 120,000 €, of which we covered half. Our contribution was roughly covered half by the DVD sales, and half by European Union support (http://www.uni-verse.org consortium).

One of the most common criticisms of CGI films is focus on technology over content. For instance, Final Fantasy: The Spirits Within flopped with audiences, in spite of being an undisputed technical milestone. I’ve seen many reviews that criticized the plot of “Elephants Dream” as too bizarre or confusing. In retrospect, are you happy with the story development process?

Haha, I knew the story and plot would get a mixed acclaim. There’s a couple of reasons I’d like to mention for it.

First of all; the criticism resembles how people witness Blender itself, too. Many people expect that Free Software is an easy accessible mass audience product. We get a lot of complaints by non-artists that they can’t get into the software easily, whilst the complexity of commercial products like Maya or Houdini is perceived as a confirmation of its “quality”. Apparently an Open Movie created similar expectations with the audience.

Luckily we also got many positive reviews of the artistic result of the movie. It is quite abstract, but definitely has many layers of information, inspiring many of the viewers to see relevant real life messages hidden here.

For this project we’ve teamed up with the Netherlands Media Art Institute, internationally renowned as a resource for video art. So for Elephants Dream, we’ve had the luxury to challenge ourselves to create real independent artistic content as well. The artists had a lot of freedom from the start; they were responsible for the concept, story and creative development of the entire movie. This has resulted in a lot of quite personal choices, based on what the artists liked to do themselves. I really cherish such an approach, it has resulted in a very motivated team working crazy hours the last months to get it all realized.

But, most importantly; the main target of our project was not only to create a 3D movie short, but to experiment with ways to improve the efficiency and quality of open source development. On this aspect only, this project was just a huge success, and the main reason for our sponsors (the DVD pre-sale) to support it. I know they might have liked a cartoonish funny movie with furry animals better, but for that you get already pretty well served by the bigger 3D animation studios. 🙂

I’m the first to admit that – looking back especially – certain aspects worked out quite weakly; there’s loose ends and questionable decisions, especially in story development and continuity. That’s just the risk of doing experiments, and nothing I regret really. The five artists from our user community who were invited to make the movie were young people with no professional background in filmmaking. Their personal incentive to participate in this project was also to learn from it, and to create a good portfolio for their future career. I’ve witnessed them grow in competence in the past year enormously, something I’m incredibly proud of.

On the technical level, the only major criticism I’ve seen of “Elephants Dream” is the character animation, especially in the opening scene — many reviewers felt that the movements seemed a bit unnatural. Do you agree with these criticisms? If so, what do you think can be done to improve on that level?

Yeah, the challenge the artists set themselves – to use quite realistic personages – is also something that easily works against you. In many animation movies they introduce characters in the beginning in a way you get used to their specific characteristic movements, so you accept a certain level of non-realism easily. (Check the weird walk cycles in The Incredibles for example). Another aspect is that we’ve started work on the first scenes, and ended with the last scenes. I can clearly see the animation quality increase, and that whilst the ending scenes were done in much less time due to time constraints.

We also didn’t schedule to do 9.5 minutes of animation either…. Originally it was more like 6. But, it’s always easier to look back to define the right decisions, eh? 🙂

I’m very happy with the reviews we got so far; luckily the movie was perceived as a professional quality product, and reviewed based on comparisons with what the big studios come up with. Even when we couldn’t satisfy all these quality demands, it has luckily not been branded as a pathetic presumptuous attempt by amateurs!

Do you think there is hope for a full-length open movie project in the near future? Would the Blender Foundation be interested in such a project, or do you intend to continue focusing mainly on shorts?

I’d like to wait a little while with defining what a next project would look like. Given the constraints of “organizing projects to improve open source development”, we might have not much choice either. It would probably mean to work with a new team each time, so most likely be based on shorts only. On the other hand, there’s also clear signals that this approach works well, and creates excitement and involvement of a lot of people, also from producers and sponsors. That might enable us to set up a next project based on larger targets. For a full-length feature film however, we should involve a sufficient amount of experienced film makers as well, and/or invite the first team to participate again. That would put a lot of pressure on the required budget…. You can’t do that based on a 1000 DVD pre-sale target. Would more be like 20,000 or so…. 🙂

How did the process of making the movie feed back into the development of Blender? Are there major technical changes that were made only or primarily because of the film?

Already during the pre-production phase the artists have defined the key targets for Blender development. This then was coordinated with the online development community too. I’ve done the most crucial (re-)development mostly myself, though. Especially on the character animation tools, on the rendering pipeline and compositing tools.

It is especially the latter I’m most satisfied with. In 3D movie production the compositing stage creates a giant content bottleneck. By transparently integrating this in our render-pipeline, a very efficient workflow has been achieved. And, not to forget, Blender now also offers the first production-level open source compositor on the market!

The current summary you can find in our work-in-progress release notes.

What are the key technical features in Blender you want to add or improve for future movie projects?

Depends on what the movie is about! There’s always hundreds of features you can work on. However, we’ll have to work on that anyway, movie project or not. There’s a lot of professionals using Blender now, and they can’t wait for the Blender Foundation to do movies! Look at this studio for example:http://www.plumiferos.com/

I read that at least one proprietary software package, Reaktor, was used for the sound effects. Is this because no equivalent free software solution exists yet? Will future projects have a “free software only” policy?

We’ve limited the “Open Source tools” requirement to our own Studio Orange only. That was what we could keep in control at least, and I can tell you it was not always easy even… 🙂

For sound and music we’ve decided from the beginning to seek an external sponsor. We have chosen to work with the best quality studio and composer we could find, preferably using open source, but not as a prerequisite.

My own competence is solely within the CG [computer graphics, Ed.] side of movie making. When it comes to music editing, or video encoding and DVD authoring, I could only decide to choose to work with external parties with proven competences in that area. I have to be practical in projects like this, especially to ensure it will be realized.

Hopefully, now we’ve got so much attention world wide, we can involve more non-CG open source next time, too. I will definitely strive for the maximum here, but it will fully depend on the amount of professional support we can get.

Blender itself was originally closed source freeware, until it was “liberated” through a fundraising campaign. If you could choose one proprietary application to “set free” where such a goal could be realistically achieved, which one would it be?

Well, the “realistically achieved” demand makes it quite difficult. 🙂 Looking back at similar cases, like Mozilla and OpenOffice.org, it was always very circumstantial. It just happens sometimes, you can’t organize something like this to happen in advance. The only common denominator is “a company in troubles”… so, who’s in trouble now?

What is your personal favorite computer-animated full-length film?

Uuuh… that differs every week! Probably Ice Age (the first one). Mostly because they didn’t overdo showcasing 3D technology so much, but created truly adorable characters and great funny gags.

Sunday, August 7, 2005

A Russian submarine trapped during a training exercise in Berezov Bay, 75 km south of Petropavlovsk in Kamchatka, has been rescued after it was cut free by a Royal Navy Remotely Operated Vehicle (ROV). The crew of seven officers and midshipmen, who spent three days in temperatures around 6^oC and were running out of oxygen supplies, were unharmed.

The submarine appeared on the surface at 4:15 p.m. local time. “The crew opened the hatch and climbed the rescue ship’s deck on their own,” said Admiral Victor Fyedorov. The first aid to the crew was given on ship Alagez, and they were transferred to Petropavlovsk-Kamchatka hospital.

The British Scorpio ROV cut fishing nets and debris, freeing the trapped submarine. “The rescue operation was completed successfully. We thank everyone, and especially the British rescue crew,” said Fyedorov.

The submarine will be repaired and modernized. “After salvaging it, AS-28 will be carried on one of the rescue ship’s decks to the coast, where specialists will examine it,” said a spokesperson of VMS (“Company for secondary metal and boats”). Russian President Vladimir Putin has pledged an inquiry into the incident.

The United States and Japan also sent equipment to help in the rescue. However, it was not used.

• Vyacheslav Milashevskiy (???????? ???????????), captain-lieutenant
• Antoliy Popov (???????? ?????), navigator
• Sergey Belezerov (?????? ?????????)
• Alexandr Uybin (????????? ?????)
• Alexandr Ivanov (????????? ??????)
• Valeriy Lepotyuha (??????? ????????)
• Henadiy Polonin (???????? ???????)

Wednesday, October 13, 2021

On Monday, on the 76th anniversary of the ruling Workers’ Party of Korea’s founding, North Korean leader Kim Jong Un inaugurated a new weapons exhibition in the Three-Revolutions Exhibition House, Pyongyang. Party newspaper Rodong Sinmun reported the event next day. According to Chinese travel agency Young Pioneer Tours, North Korea closed its border to tourists in January 2020.

The outside ceremony started when Kim Jong Un arrived. Attendees, mainly Korean People’s Army (KPA) officers, party officials and invited defence industry personnel, greeted Kim with “Manse!” (Long Live!). High-ranking party officials Choe Ryong Hae, Jo Yong Won and Hyon Song Wol, premier Kim Tok Hun, Marshal Pak Jong Chon and Kim Jong Un’s sister Kim Yo Jong were also there.

A musical performance by the KPA military band and the Orchestra of the State Affairs Commission of the DPRK (Democratic People’s Republic of Korea) came before a KPA martial arts demonstration, in it brick breaking with bare fists, bending steel bars with the sternum and jumping over cars. A flypast closed the outdoor sequence, rendering the colours of the North Korean flag with smoke on the sky.

Kim Jong Un’s opening speech indoors remarked that “the US tacit sponsorship [of South Korea] continue to damage the inter-Korean feelings and emotions” and that “South Korea has been unhesitant on several occasions in disclosing its ambition for securing military supremacy over us under the preposterous excuse of deterring threat from us”, but called their military build-up a war deterrence effort. He also called on people to support to the defence capabilities of the country, and dedicated the event to analyze their recent achievements in the field.

An award ceremony for servicepersons and others followed with high decorations handed over, including the Kim Il Sung and Kim Jong Il Orders, the Kim Il Sung and Kim Jong Il Prizes, the title of Labour Hero, the Order of the National Flag and watches signed with the names of Kim Il Sung and Kim Jong Il.

After touring the exhibition, Kim Jong Un met with the jet pilots who performed earlier, then left in a limousine.

The exhibition featured missiles, including editions 14, 15 and 16 of the Hwasong intercontinental ballistic missile series.

In reaction on Tuesday, Moon Hong-sik, a spokesperson for South Korea’s Ministry of Defence said that both the United States and South Korea are analyzing the displayed equipment.